This week here at Albion
Calling I am very fortunate to have an internationally renowned figure in the
field of religious studies here with me; Carole M. Cusack, who currently
holds a Professorship at the University of Sydney, Australia. Like myself, much
of her background is in the pre-Christian belief systems of North-Western
Europe; in this area, she has published on both the motif of the sacred tree as
well as processes of Christianisation. However, she also takes a keen research
interest in new religious movements, having published on such subjects as
contemporary Paganism(s) and “invented religions” like Jediism, Discordianism,
and the Church of the Flying Spaghetti Monster. We discuss her career,
research, and the state of religious studies in today’s world.
|
Cusack in Sanur, Bali in 2013 |
[EDW] You are currently
Professor of Religious Studies at the University of Sydney, having first
attained your BA Hons in Religious Studies and English Literature from that
same institution back in 1986. You began teaching Religious Studies in 1989, at
first as a casual lecturer and tutor, while at the same time working on your
PhD, completed in 1996. That year you became a full-time staff member, and from
there, you went on to attain a Master of Education in Educational Psychology in
2001. Can you tell us a bit more about this academic trajectory, and what
sparked your decision to become a professional academic?
[CMC] My family were
working-class Irish Catholics and I was educated at Catholic schools in the
Sydney suburbs. It certainly wasn’t a foregone conclusion that I’d become an
academic; in fact my late father was not keen on my continuing school to
matriculation (I’m the eldest of four). He was persuaded to change his mind, and
the rest is history. As a teenager I was passionately interested in music and
reading (these are enduring passions, as it happens), and certain books and
captured my imagination. A few that were really important are: C. P. Snow’s The
Masters (1951), about the election of a new Master in a Cambridge college
in 1937; Evelyn Waugh’s Brideshead Revisited (1945), which is
tremendously Catholic and romantic, with being a student at Oxford the
formative experience for Charles Ryder (and the television series in 1981, my
first year at university, was also important); and also John Cowper Powys’
massive A Glastonbury Romance (1932), soaked as it is in the Grail myth,
the re-enactment of the passion of Christ, and so much else as well (the entire
oeuvre of John Cowper Powys should be of crucial interest to contemporary
Pagans, but I suspect that he is almost unread these days, to everyone’s
detriment, not just the Pagans).
It would not do if you
thought my group of friends were just toadies to upper-class English culture,
colonial wannabes, or would-be sophisticates who were terribly pretentious. We
were young and romantic and intoxicated by beauty and art (the Pre-Raphaelites,
manuscripts from the medieval era, Classical statuary, and really the gamut of
the visual and performing arts, theatre, ballet, opera, and so on). The Middle
Ages was one of the preferred eras, possibly – though not entirely – fuelled by
the excess of gorgeous neo-Gothic architecture that Sydney (and Australia
generally) boasts. The two cathedrals, St Mary’s Catholic and St Andrew’s
Anglican, are both beautiful, and the Main Quadrangle of the University of
Sydney is exceptionally fine. It was easy to imagine our experience was like
that of students at Oxford and Cambridge (I later discovered it wasn’t, of
course). Among my close undergraduate friends were about half a dozen who did
PhDs on medieval topics (beguines in the Low Countries, early medieval Ireland,
Old Norse sagas, the Franks, and so on), and several of us became professional
scholars. (It may not come as a surprise that there were some interested in
Goth subculture and fashion, and that Goth rock bands like The Mission, The
Sisters of Mercy, and The Cult are still great favourites of mine).
My undergraduate work was
in English and Religious Studies (with medieval history and Biblical Studies
thrown into the mix) and I did two Honours years, as in Australia a Bachelor of
Arts is three years, and Honours is an extra year (in Religious Studies, with a
thesis on ‘An Examination into the Ideologies Underlying Nineteenth Century
Researches into the Viking Age’, and in English, with a thesis titled ‘The
Political Implications of Medievalism in William Morris’ The Defence of
Guenevere and Other Poems [1858]’). I’m also attracted by William Morris,
and the Arts and Crafts movement in general (I loved A. S. Byatt’s novel The
Children’s Book [2009] and Virginia Nicholson’s Among The Bohemians:
Experiments In Living, 1900-1939 [2005]), and through friends, partners,
and one sister who is an urban planner with a Masters in architectural design,
I’ve gained some familiarity with architecture and planning, typography and
book production, and other art and craft sub-fields.
Where does this lead?
Well, I suppose that despite the fact I wrote a PhD on early medieval missions
I always had a foot in the nineteenth century, and in the 1980s and early 1990s
when I was studying, both medievalism and the academic study of Paganism were
coming into being as real scholarly fields. Supervision and academic mentorship
are tremendously important, too, and I was fortunate to study with Eric J.
Sharpe (1933-2000), one of the ‘grand old men’ of Religious Studies, Margaret
Clunies Ross, still going strong and a formidable presence in Old Norse Studies
(though the late Harold Leslie Rogers taught me Old Icelandic and Margaret
taught me Anglo-Saxon), and various other staff in English and History were
important influences.
After getting an academic
position in 1996, the year of my doctoral graduation, the Master of Education
degree was really completed to secure me a continuing job (as I held a
five-year contract, and had been told there was no chance of permanent
employment unless I was ‘credentialled’ in Education). Still, it opened up a
whole new world that has become more important since the cognitive sciences
approach to Religious Studies (and literature, art, aesthetics, and a multitude
of traditional Humanities disciplines) emerged and has gained momentum. I’ve
never wanted to be anything other than a scholar working in a university and
every day feel grateful that it was possible to realise that ambition. As I was
employed in Religious Studies and not Medieval Studies I’ve a very broad range
of interests and have taught undergraduates Buddhism, Japanese religions, Hinduism,
Islam, even Old and New Testament topics.
|
Cusack in Neasden, London in 2010 |
[EDW] What is it that
generated your passion for religion as a subject of enquiry, and in particular
what was the origin of your interest in early medieval religion and new
religious movements? Did you grow up in a religious household, or did you
develop such interests independently?
[CMC]
I touched upon my family background a little in the response to your first
question. My parents were both quite devout, but as is so often the case these
days their four children have all drifted away from the Catholic Church and I
think would all identify as agnostics or atheists now. Yet defining religion as
a supernaturalist attitude or belief in God is limiting for me. I’m an atheist,
but a religious atheist. Ritual of all kinds fascinates me, and I’ve done
walking meditation (kinhin) at Nan Tien Temple in Wollongong, and my partner
Don Barrett and I have taken part in a Hindu funeral procession in Sanur, Bali
(where we holiday often), and in Pagan rituals with friends (not to mention
Greek Orthodox ceremonies at St Sophia’s Orthodox Cathedral in Bayswater, and
the occasional synagogue etc).
As a child my interest in
both religions and the Middle Ages was fuelled by reading; the complete Oxford
Myths and Legends series was held in our local library, as were the two
large-format, beautifully-illustrated books by Edgar and Ingri Parin d’Aulaire,
The Greek Myths (1962) and Norse Gods and Giants (1967). I read
retellings of the Arthurian legends and the Homeric epics, and loved the novels
of children’s authors like Rosemary Sutcliff, Henry Treece, Susan Cooper, Lloyd
Alexander, and Alan Garner. As I grew older I read historical novels, often on
Biblical and ancient world topics (by people like Frank G. Slaughter, Lew
Wallace, Henryk Sienkiewicz). One of my teenage boyfriends was deeply
interested in film and I was exposed to the samurai films of Akira Kurosawa,
still probably my favourite director, as well as historical silent films (Abel
Gance, D. W. Griffith etc.) and everything conspired to make me fascinated by
historical eras and geographical regions that were other than that in which I
lived. That includes religion, myth, magic and everything that goes with it
(art, literature, costume, architecture, furniture …).
[EDW] Your first monograph,
Conversion Among the Germanic Peoples (Cassell, 1998), came out of your
PhD thesis, and examined the processes of conversion that the linguistically
Germanic pre-Christian societies of Northern and Western Europe went through between
the third and eleventh centuries. In my opinion, a large part of its
significance was that it offered a study of European paganism and
Christianisation from the perspective of a trained scholar of religious
studies; this contrasts with the overwhelming majority of studies on the
subject, which come from a background in either history or archaeology. Could
you tell us more about this particular project and what you see as its
repercussions for both medieval religion and our understanding of conversion?
[CMC] The
tale of my PhD and the attitude that I took to the conversion of Germanic
Pagans to Christianity is a sort of an accident that turned out well. Initially
I wanted to do a PhD on Anglo-Saxon Paganism and Professor Sharpe told me I’d
struggle (this was January 1986, he was right, actually, in fact it’s still a
pretty under-studied area despite the recent great contribution of Richard
North, among others). He passed on a project he was working on about
conversion, and I took it from there. Being raised Catholic was one huge
advantage at that time; Religious Studies as a discipline was under attack for
being some kind of disguised version of liberal Protestantism (and Eric Sharpe
was criticised for being part of that, and was in fact an ordained minister,
though it should be noted that he was deeply suspect among Sydney Protestants
who tend to be hard-line, and never had a parish). I was from a working-class
Catholic background, so; a) I didn’t really understand what liberal Protestantism
was, and b) I wasn’t (and still am not) convinced it’s that important.
Beyond that, I always
felt anxious about Christian triumphalist narratives (so much of the PhD
research I did was of that kind). What sort of answer is it to say that the
late Roman Empire became Christian because a) Christianity was true and was the
God-ordained religion, and b) the Pagans were wrong? As an undergraduate (and
chiefly in my Religious Studies Honours year, when I was taught by a visiting
scholar, the late Dr Vrijhof from University of Utrecht, who was a sociologist)
I got excited by the possibilities of social-scientific analysis of religion,
the application of sociological models to ancient and medieval societies, and
that’s what I did. Later I was praised for giving the Pagans a fair go (thank
you, Michael Strmiska), but I wasn’t convinced I’d done enough, and that
inspired me to try to right the historical wrong. The Sacred Tree: Ancient
and Medieval Manifestations (2011) is a sort of parallel volume to my PhD, in
which I tried to do more for the Pagans, to present their position as being
akin to the colonial indigenous cultures that had been destroyed by Christian
imperialists in the modern era.
[EDW] One of your
(fairly) recent projects has seen a return to the realms of Europe in the
Middle Ages, this time offering an examination of the role played by the sacred
tree in European cosmology. As part of this you looked at the concept of the
tree as both axis mundi and imago mundi, examining instances from various different
parts of Europe to explore this theme, which is found in many contexts across
the continent. This research resulted in The Sacred Tree: Ancient and
Medieval Manifestations (Cambridge Scholars Press, 2011). Could you tell us
a bit about this project?
[CMC] Much of my early
academic development was assisted by great teachers; after I got a job and was
allowed to teach and supervise, my Honours and postgraduate students have been
some of my dearest and best instructors and collaborators. Dan Bray, who is now
teaching English as a second language, was one of my earliest postgraduates and
a Pagan, and he really made it clear to me that European Pagans were indigenous
people whose culture was destroyed by Christian imperialism. In my PhD I
analysed the medieval texts that discussed the destruction of sacred trees by
missionaries (St Martin of Tours, Boniface of Devon), and as I’d become
interested in ecological Paganism I wanted to find a way to investigate the
early medieval Pagan experience, and the sacred tree became a symbol that I
could use.
It ultimately extended to
pillar monuments and even Christian standing crosses, and had such wonderful
side effects as Don and I walking the Hermannsweg in Germany, from Detmold, in
order to see the Externsteine, a remarkable natural site that was a particular
context for the Pagan-Christian transition in that region. We love
long-distance walking and have completed the Hadrian’s Wall walk in 2005, the
St Cuthbert’s Way walk in 2006, the Cotswold Way walk in 2007, and various
other walks in Britain. The Hermannsweg was our first walk on the Continent,
and the Externsteine is hypothesised by some to be a credible site for location
of the Irminsul, the ‘universal column upholding the world’ (according to
Rudolf of Fulda), that Charlemagne’s army cut down in the early years of his
long and bloody war against the Saxons.
[EDW] Alongside your
interest in pre-Christian worldviews and the conversion process to
Christianity, you have also devoted much research to new religious movements
(NRMs). Recently, this has resulted in Invented Religions: Imagination,
Fiction and Faith (Ashgate, 2010), in which you looked at five NRMs –
Discordianism, the Church of All Worlds, the Church of the SubGenius, the
Church of the Flying Spaghetti Monster, and Jediism – which you term “invented
religions” due to the unique way in which they were created on the basis of
self-professed fiction. Could you tell us more about this research and studies
into this fascinating phenomenon?
[CMC]
This project emerged from two quite different interests. I first heard about
Discordianism, for example, through students. Guy McCulloch did a presentation
in an undergraduate unit on religious experience on the Principia Discordia,
which I immediately purchased a copy of. After my marriage ended in 1992 I was
involved for some time with Michael Usher, who had studied Crowleyan occultism
for a time and presented me with a House of the Apostles of Eris ‘Pope’ card
(that was the first direct contact I had with Australian Discordians).
The interest I felt would
have gone nowhere except for the help and support I received from Alex Norman
(then a research assistant and PhD student). He and I have worked together for
so long it’s hard to imagine that our two brains weren’t forever conjoined, and
he convinced me to keep at it, to make it happen, to find methodological models
that would enable sense to be made of such anarchic and irreverent materials,
and I did. His impressive collective of Flying Spaghetti Monster t-shirts may
have assisted, though that’s not certain! I’m proud and happy that Invented
Religions has received eighteen published reviews, all of which are
positive. I understand that some people, both ‘insiders’ of certain of the
traditions examined (mostly Discordianism and the Church of the SubGenius) but
also some esoterically-inclined scholars, have objected to my etic, outsider
approach to these groups, but I can only riposte that a scholarly conversation
can only occur when the preliminary documentation of the phenomena has been
accomplished, and that’s what I was doing. I still love the book; it’s been the
easiest thing I’ve ever written. And the funnest (and yes, I know that’s not a
word).
Last year I had the
pleasure of co-editing a special issue of Culture and Religion in
‘invented’ or ‘fiction-based’ religions (to use Markus Davidsen’s term) with a
friend and colleague, Steven Sutcliffe (University of Edinburgh). The issue has
eight pretty good articles that play with the concept and come up – I think –
with something new and durable to say about the notion. I’ve written a few
shorter pieces on the topic, and later this year I’m co-editing a volume for
the INFORM series (published by Ashgate) with Pavol Kosnac. We’ve got a great
group of contributors, and I’m quite excited by the possibilities that are
emerging for the book.
[EDW] Like yourself, I
have spent time researching both pre-Christian European religion and modern Western
NRMs; I’d be really interested in learning how you personally understand the
connection between the two? If you see a connection there at all, that is.
[CMC]
Unlike some of these answers, which have taken some time to get together, this
answer is easy. I can just lift it from my 2012 application for promotion to
Professor, in which I had to identify my specialist area in fifty words or
less. It was: ‘ “Alternative” religion(s) in the West from the Middle Ages to
the present, focusing on: 1) Christian marginalization of alternative
religion(s); 2) inverse processes of medieval Christianization and
de-Paganization, and contemporary de-Christianization and re-Paganization; and
3) the challenge alternative religion(s) pose to definitions of ‘religion’ and
the discipline of “religious studies”.’ I hope that helps.
[EDW] Your research has
touched on a huge array of different topics – so many in fact that it would be
completely impractical to discuss all of them here – but one of your recent
research projects that I find particular interesting is that which you have
undertaken with Dr Jason Prior of Sydney’s University of Technology, examining
spirituality among Sydney’s gay community, in particular with regards to clubs
and bathhouses. How did this project come about, and what do you see as the
state of research into Queer Spiritualities in Australia?
[CMC]
I’ve been fortunate that my friends have created opportunities to work on all
sorts of topics. That’s been aided by my ability to be interested in just about
anything, and having a low boredom threshold. I freely admit I’d probably never
have become involved in GLBTQI studies (despite my ongoing interest in Genesis
P-Orridge) save for having known Jason Prior for a LONG time. We initially
bonded over breakfasts and dinners with our partners and that morphed into
coffees together, and then we started working to put together Jason’s
extraordinary sensitivity to and knowledge of, both planning and architecture
(which feeds directly into the ‘sexuality and spatiality’ sub-field) and his
willingness to step into uncharted territory, and see what we could achieve.
We’re currently working on our fifth article together, on love (especially
non-normative love) in the Australian urban context, riffing off everything
from Augustine of Hippo to raids on gay clubs, and Christian fundamentalist
objections to the building of non-Christian places of worship.
I urge everyone to choose
their friends because they are intelligent, gorgeous, awesome, and generally
just the best to spend time with, but also because (on the failsafe ‘two brains
are better than one’ policy) you can immerse yourselves in each other’s
specialities and get a whole lot more research going. Writing together isn’t an
easy thing to get right, but I’ve done it with Jason, my former PhD student
Justine Digance, Alex Norman, Katherine Buljan (with whom I’ve written a
monograph on religion and anime) and Dani Kirby, and it’s a great experience. I
recommend it! With regard to the future of research into Queer Spiritualities
in Australia and in many other cultures – I think it’s a growing area that
promises to yield much terrific research… Jason and I are also working on a
Routledge reprint series, ‘Religion, Sexuality, and Spirituality’ which is
proving to be intriguing and educative, as we have to get across a large body
of literature, and make a selection of articles and chapters that include
classics, new and ground-breaking, obscure and deserving of a larger audience,
etc.
[EDW] Over the course of
your career, you have edited such volumes as: Progress, What Progress?
(1992, with Jonathan Wooding); They Came, They Spoke, They Progressed
(1993, with Avril Vorsay and Jonathan Wooding); This Immense Panorama
(1999, with Peter Oldmeadow); The End of Religions? (2001, with Peter
Oldmeadow); The Buddha of Suburbia (2005, with Frances di Lauro and
Christopher Hartney); Religion and Retributive Logic (2010, with
Christopher Hartney); and Handbook of New Religions and Cultural Production
(2012, with Alex Norman). You currently also co-edit Brill’s “Handbooks of
Contemporary Religions” series with James R. Lewis, and the recent Routledge
reprint series, “Sects, Cults and New Religions,” with Danielle Kirby. How do
you get involved in so many projects on such a wide variety of topics? I can
imagine that, accompanied with your teaching and your own research, it must
make for a very demanding schedule.
[CMC]
I don’t mind admitting I’m a workaholic who usually does 65-70 hours per week.
Those edited volumes I did earlier on were concerned to build a career. I was
involved in student politics as an undergraduate, and I was President of the
Sydney University Postgraduate Representative Association (SUPRA) for three
years. All the publications on postgraduate research and policy issues emerged
from that period, 1990-1992. The next phase was when I was a very junior
scholar and had the chance to organise some conferences, and a range of volumes
came from conferences that the department (which in 1991 changed its name to
Studies in Religion) had hosted. Later on, I became more selective and did
edited volumes for international publishers like Brill (with Australian
colleagues like Alex Norman and Chris Hartney) and Ashgate (with Jim Lewis, we
have our first such collaboration coming out this year).
Jim has been a great
colleague to me (he is a known powerhouse of research projects and publishing),
and I’ve contributed chapters to a large number of his books. When we met in
Amsterdam in late 2010 he invited me to become co-editor of the Brill Handbooks
of Contemporary Religion series, and it’s been a steep learning curve, but
really valuable. Since then I’ve joined the boards of a few book series (Sophia
series with Springer, the Sacred and Secular Histories series with Palgrave
Macmillan) due to the kind invitations of senior colleagues. (I’ve only been a
Professor since January 2013, it’s still hard to think of myself as a ‘senior’
academic …)
[EDW] You have also been
involved in running a number of peer-reviewed journals; you were a founding
editor of the International Journal for the Study of New Religions
(IJSNR) from 2010 to 2013, and currently serve as co-editor of the Journal
of Religious History. You also sit on the editorial boards of two other
journals, the Alternative Spirituality and Religion Review (ASRR) and Aesthetics.
How did the IJSNR come about, and what do you see as the significance of this
recent blossoming of various peer-reviewed journals specifically devoted to new
religious movements (i.e. the IJSNR, ASRR, and Nova Religio)?
[CMC] Publication in
academic journals is the bread and butter, meat and potatoes (whatever your
favourite metaphor is) of being a scholar. It’s vital that journals are run by
dedicated editors and editorial boards, and that the peer-review (or
refereeing) process is respected. That’s the hardest part, as the work of
giving feedback to authors is unpaid, and even editorship roles are generally
not part of any academic workloads discussion with colleagues in your
department. Yet it’s terrific to have the opportunity to see new writing as it
comes in, to see articles improve as the referees’ criticisms are taken on
board by authors, to sometimes even to get an idea of how a whole new field
emerges. Pioneering journals in new research areas (like Nova Religio: The
Journal of Alternative and Emergent Religions and Aries: Journal for the
Study of Western Esotericism) are hugely influential. Whenever I feel glum
about having to proof an issue or write a peer-review, I cheer myself up with
these thoughts.
In the field of new religions
I’d like to give huge credit and gratitude to Jim Lewis, who solicited chapters
and articles from me years before we met and has since been a tremendously
supportive colleague. Two of the journals you mentioned, Alternative
Spirituality and Religion Review (ASRR) and International Journal for
the Study of New Religions (IJSNR), came into existence through Jim’s sheer
force of will and skill in introducing colleagues to each other, people who
were just MADE to work together (Liselotte Frisk and I had a tremendous four
years with IJSNR, and she’s a friend now, he just knows people who will get
on). Another body that merits praise is CESNUR (Center for Studies on New
Religions) led by the Italian lawyer Massimo Introvigne. I first met Liselotte
(having previously only e-mailed) at the CESNUR 2011 conference at Aletheia
University, Taiwan. CESNUR’s annual conference is one of the key places where
scholars of new religions can network, and it’s interesting because (like the
INFORM series I mentioned above and Eileen Barker, INFORM’s founder and
director) Massimo thinks it’s important that scholars of new religions meet and
get to know members of those religions, so the voices of believers and
practitioners are part of the conversation.
[EDW] In studying new religious
movements, you have often looked at particular traditions that fit within the
broader categories of contemporary Paganism and/or Western esotericism. The
last ten years of so have seen Pagan studies and the academic study of Western
esotericism emerge as fields in their own right, with their own journals, book
series, and conferences. As someone who is more closely identified with the
study of NRMs, how do you feel about the emergence of these two fields; do you
for instance fear that they are leading to an increasing ghettoization of
scholars who should otherwise be working together more closely?
[CMC]
It feels odd to remember that during my undergraduate studies the fields of
Pagan Studies and Western Esotericism did not exist. First Year was Biblical
Studies, the next three year were Confucianism, Hinduism, Japanese Buddhism,
Methodology, Norse Mythology, Roman and Greek Religion, and so on. New
religions were in the mix, though only in a very limited way (Professor Sharpe
was interested in neo-Hindu movements like TM and ISKCON, and Garry Trompf
worked on cargo cults in Papua New Guinea), and the sociological methodology I
studied in Honours was most often applied to new religions. The emergence of
Pagan Studies and Western Esotericism as defined fields of study presents both
opportunities and threats.
First, it means that the
field of ‘Religion’ is getting bigger, though it raises questions about whether
Western Esotericism is religion (the jury are out on that, though Pagan Studies
definitely is). Second, the strongly defined boundaries around some of the
sub-divisions within Religion make it harder to hold conferences that have
broad appeal and unite all constituents. Third, the newer fields often seem to
operate outside the constraints of the wider discipline. I get anxious,
sometimes, about the whole idea of ‘religion’ falling apart (to quote Yeats,
‘the centre cannot hold’). That’s why I move from one to another, a bit of the
Middle Ages, then a bit of new religions, a bit of Japanese and Ancient World
religions, a methodological article, a bit of archaeology, a chapter on a Pagan
topic, then some Western Esotericism … I, for one, want to be across the whole
lot, and to be able to work on any topic that might conceivably fall within the
remit of ‘religion’.
[EDW] What research
projects have you got going on at the moment, and are there any big
publications coming out that we should keep our eyes peeled for?
[CMC]
This is a big year for research projects that I’m involved with, and it’s a bit
of a risk to say that any of it is actually going to happen. But I can nail
some colours to the mast. Following on from the reprint series I did with Dani
Kirby on ‘Sects, Cults and New Religions’ for Routledge, in January Alex Norman
and I completed one on ‘Religion, Pilgrimage, and Tourism’, and Helen Farley
and I are in the middle of a series on ‘Religion, the Occult, and the
Paranormal.’ The series Jason Prior and I are planning has already been
mentioned. I’m also editing the INFORM series volume with Pavol Kosnac on Invented
Religions (to which I’ll contribute a chapter and a co-written
introduction).
There is also a special
issue of the Journal for the Academic Study of Religion on G. I.
Gurdjieff that I’m editing (six articles, due early April). My friends David
Robertson and Christopher Cotter are editing a book on the World Religions
paradigm and I’m writing a chapter on Neolithic archaeology and religion
(another passion of mine), and I’ve an entry on ‘Sport and Religion’ for an
edited volume due in September. The big-ticket items are two monograph
contracts (on the Church of All Worlds and G. I. Gurdjieff, the second
co-written with Steven Sutcliffe). I’ve got six months’ research leave in
Edinburgh from 1 July 2014, so I should be able to get a fair bit done. I like
work, especially writing, especially when there’s time to really concentrate.
[EDW] Where do you think
that the field of religious studies stands at the moment, and where do you
think that it is heading, particularly when faced with the current reforms
affecting the humanities and social sciences? In particular, I wondered what
you thought of the present state – and the future prospects – of scholarship on
the subjects of early medieval religion and new religious movements?
[CMC] The
situation of the Humanities in universities the world over is not that great at
the moment. It was noted several years ago that the appeal of a traditional
Arts degree was declining, and the growth of professional-sounding degrees is
because they are attractive to young people who are anxious about getting a job
at the end of their studies. I have talented postgraduates and I always tell
them NOT to expect that there will be an academic job at the end of the PhD.
Many of them would make excellent teachers and researchers, but the
opportunities aren’t there. I believe that critical thinking and academic writing
skills are transferable and worthwhile just about any job that you might end up
in, but that can sound like cold comfort. If you have a great desire to do
research in the fields of Medieval Studies, Religious Studies, Western
Esotericism, New Religious Movements, or any other obscure area, I would say
that it’s worth it if you enjoy the research, get the PhD and have what Mihaly
Csikszentmihalyi calls a ‘flow’ experience through the writing and producing of
a masterwork (to think about it in the context of medieval guilds, or even Bob
Dylan’s ‘When I Paint My Masterpiece’). Then you publish the masterpiece and
accept ‘post-academia’: http://howtoleaveacademia.com/tag/post-academic/.
A few will make it through the hellish process and get jobs (three friends in
their early thirties all got jobs in the last three years, a GOOD THING).
Others will find another career in which they can shine, and which will be
pleasurable and rewarding.
Thanks for the
opportunity to discuss my research and career on ‘Albion Calling’. There are a
few things people might like to know: I have three lovely cats (Gracie, Ka, and
Sam); live in a somewhat rundown Victorian house in Sydney’s inner west (red
walls, Persian rugs, lots of art, books everywhere, and a battered Chesterfield
scratched to bits by aforementioned cats feature); I have a large collection of
teddy bears; I like ironing (it’s meditational), and am very interested in
fashion and own hundreds of clothes (though I mostly wear about ten per cent of
my wardrobe, a fair number of which pieces are jeans). Don and I wander the
world attending performances of Wagner’s ‘Ring’ Cycle (we’ll attend our ninth
in November 2014), and we are strict recyclers and greenies (no car, rainwater
tanks, etc) to overcome the guilt of all those ‘plane flights.
[EDW] Professor Cusack,
thank you so much for talking with me here at Albion Calling today; I've really
enjoyed reading your answers, and think that many other people out there will
too. I wish you all the best!